The preceding two chapters placed a very different emphasis on the interpretation of photographs. Chapter 4, following Peirce, suggested that we view photographs as transcriptions or records of a pro-filmic event.
More Books:
Language: en
Pages: 160
Pages: 160
Photographs are an integral part of our daily lives - from snapshots and tabloid newspapers to art photography in galleries and exhibitions. Edwards combines a sense of the historical development of photography with an insightful analysis of its purpose and meaning within a wider cultural context.
Language: en
Pages: 420
Pages: 420
Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field. Written especially for students in higher education and for introductory college courses,
Language: en
Pages: 160
Pages: 160
Encompassing the thirty-five year span between the initial development of film technology in the mid-1890s and the adoption of synchronized sound in the late 1920s, the cinema's silent era is both one of the most important epochs of film history and one of the most misunderstood within the popular imagination.
Language: en
Pages: 144
Pages: 144
Autobiography is one of the most popular of written forms. From Casanova to Benjamin Franklin to the Kardashians, individuals throughout history have recorded their own lives and experiences. These personal writings are central to the work of literary critics, philosophers, historians and psychologists, who have found in autobiographies from across
Language: en
Pages: 184
Pages: 184
Basics Creative Photography 04: Reading the Image is an accessible and thought-provoking introduction to theories of representation and how they can be applied to photography.